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Saint Maud is a movie starring Morfydd Clark, Jennifer Ehle, and Lily Knight. Follows a pious nurse who becomes dangerously obsessed with saving the soul of her dying patient
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country - UK
release year - 2019
Actor - Jennifer Ehle, Morfydd Clark

Movie Saint maud fontenoy. Movies saint matthews louisville. Movie Saint maudit. Saint maud movie spoiler. Morfydd Clark and Jennifer Ehle play nurse and patient in this claustrophobic psychological thriller from debutante director Rose Glass. Although this unsettling, contemporary-set British psychological drama is not a biopic about the real-life canonized St. Maud, a 10th century, excessively devout German queen, it's not hard to imagine why the lead character might have chosen to rechristen herself Maud after a trauma and subsequent conversion to Christianity. Like the disturbed palliative-care nurse we follow here, played with subtlety but also white-hot fervor by Morfydd Clark, the original St. Maud nursed the sick, and is now considered the patron saint of misbehaving children. That second bit seems apt here given that this striking and auspicious feature debut for writer-director Rose Glass explores the title character's obsessive need to control and maybe even convert her older, terminally ill patient, played by Jennifer Ehle. Redolent of a video-store shelf's worth of 1960s and '70s psychological horror thrillers — especially Repulsion, Performance, Taxi Driver and   maybe even  The Killing of Sister George in an oblique way, as well as recent pastiches of that same period ( The Duke of Burgundy) — Saint Maud seeds the clouds with an eclectic mix of influences, but it works, creating a film with its own strange weather. Stab-quick flashbacks of a gory scene in a hospital and dropped hints elsewhere suggest something bad happened to a patient in the backstory for which tightly clenched nurse Maud (Clark) may or may not be responsible. Now, instead of working in the national health service (where she was known as Kate before she changed her name), Maud is caring for terminally ill patients through a private agency in an unnamed seaside town. (The street scenes were shot in picturesque-seedy Scarborough, in the north of England. ) Her latest client is Amanda (Ehle), once a feted, avant-garde dancer in the Pina Bausch vein judging by a video clip we see at one point, who now has a terminal illness, probably cancer judging by the hair loss. But despite the fact that Maud wants to see the glamorous and witty Amanda as an injured broken bird to be cared for, Amanda is more like a spider nesting in her vast bed at the center of a dark house full of corners, menacingly patterned wallpaper the color of blood and secrets. Amanda is not evil or anything as simple and banal as that — just a very smart, complex woman bored with the last stages of her own mortality. In Maud, whom she describes at one point as the loneliest person she's ever met, she sees an amusing if broken plaything to fill up the time with in between visits from her young, sexily snarling lover, Carol (a vividly feral Lily Frazer). But Maud isn't as simple as she looks either, and the two begin a tango of seduction or destruction that leads to some very weird head games. Eventually, Maud's faith and perhaps her sanity starts to fray and crackle, and she swaps the starched uniform for sexier threads and a night of hedonism for herself. By the end, it's not entirely clear whether we have entered an ecstatic realm where the supernatural is possible or whether it's all in Maud's imagination, like the whirlpools she sees in glasses of beer and bathtub drains, redolent of Hitchcock's famous shower scene in Psycho. That ambiguity of genre, never entirely resolved, may frustrate some viewers, but it's clear Glass knows exactly what she's doing as she keeps adding thin layers of meaning and texture to the narrative. This smart, sinister work represents a very arresting calling card which augurs very well for her future prospects. Venue: Toronto Film Festival (Midnight Madness) Production: A Film4, BFI presentation of an Escape Plan production Cast: Morfydd Clark, Jennifer Ehle, Lily Frazer, Lily Knight, Marcus Hutton, Turlough Convery, Rosie Sansom, Carl Prekopp, Jonathan Milshaw, Noa Bodner, Rosie Sansom Director-screenwriter: Rose Glass Producers: Oliver Kassman, Andrea Cornwell Executive producers: Daniel Battsek, Sam Lavender, Mary Burke Director of photography: Ben Fordesman Production designer: Paulina Rzeszowska Costume designer: Tina Kalivas Editor: Mark Towns Music: Adam Janota Bzowski Casting: Kharmel Cochrane Sales: Protagonist 83 minutes.

Movie Saint maux de tête. YouTube. Oh, they brought us MIDSOMMAR? Well, in that case, no thank you. Movie saint maud. Its fascinating how much impact the music choice of a trailer can have... Nicolas Cages agent: “Mr Cage I got you a main role on a movie” Nicolas Cage: “Does it suck?” Agent: “Yes” Nicolas Cage: “Say no more”. The academy will probably nominated Florence Pugh for Best supporting actress for Little Women but I hope they give her a nomination for Midsommar 🤞. Movie saint maudie. Movie saint mande 94160. The attack on Christianity continues. Funny. it's almost as though it terrifies them. Everybody, stop calling him Harry Potter, I'm Sirius. The invisible man trailer just dropped the entire story and dipped. Saint maud movie trailer. Me: looks at the window random person: its the woman in the window.

Movie saint maybe. 1 win & 1 nomination. See more awards  » Edit Storyline There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature film debut, writer-director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly... Written by Toronto International Film Festival Plot Summary | Add Synopsis Motion Picture Rating ( MPAA) Rated R for disturbing and violent content, sexual content and language See all certifications  » Details Release Date: 27 March 2020 (USA) See more  » Company Credits Technical Specs See full technical specs  » Did You Know? Trivia Director Rose Glass, won the IWC Schaffhausen Filmmaker Bursary Award for this, which was presented to her by Danny Boyle. See more ».

Interviewer: How many minds you wanna blow? Nolan: Yes. Is it just me, or is Elijah Wood and Daniel Radcliffe locked in some kind of fantastic weird-off.

 

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